What Shade are You with Amy Webb

What shade are *you*?

Me? I’m Amy and I’m a turquoise/mint/light blue or really any shade of blue kinda girl! If you’ve ever read my blog (http://www.amylouwhosews.com) or seen my Instagram feed (@amylouwhosews), this will not be a surprise to you at all! I love the calmness the color blue invokes – the sea, the sky, nature in general.

I really don’t consider myself a big quilter. I’ve been sewing since I was young, but started out making clothing. I quilted a bit with my mom and have made a few over the years – but find I’m not super patient with the process! Bags, zippies and clothing come together so much quicker! However, I do love quilts! And I’ve always admired triangle quilts made with solids. So when RJR asked for people interested in doing something for their #whatshadeareyou feature I had the perfect idea in mind. I’m really happy to share it with you!

My brother has a new house out on the Chesapeake Bay. From their back porch they have a gorgeous view of the green grass, gray boulders at the shoreline, and the aqua bay melding into the horizon of the darker blue sky. I tried to capture that in the colors I chose to represent each part of the view. And also capture the calm and peaceful feeling of standing at the water’s edge.

I was hoping to get out there to take a photo in the same location but I wasn’t able to make it work. Instead I went to a nearby park with water views of a creek off the Potomac and a rock quarry where stones were cut and hauled up river to build the U.S. Capitol building! How cool is that!? We had a fun time on our hike/photo session. We got some funny looks though!

Props to my friend who climbed up there to hold the quilt up!

Now, back to the quilt… Since I had never made a triangle quilt I followed cutting and sewing instructions from the pattern Kwik Hexie Links by Karie of Two Kwik Quilters. I was able to use her coloring sheet in the pattern to figure out how many triangles of each color I was going to use and design my own color pattern.

Initially, I was going to just do one section of each color, but when I got the green and the grey sections sewn together the line was too stark. So I went back and sewed another row of triangles together mixing the lighter greens and grays to have colors fade a little into each other. I then repeated the same thing to mesh together the gray and aqua, then aqua and darker blues. I love the ombre-esque feeling it has. This really ended up being a hybrid planned/improv quilt. I tried not to overthink the placement within each section and it worked out better than I could have imagined!

My talented friend Becky (IG: @sarcasticquilter) echoed the idea of the view with her quilting of cloudy shapes in the sky and waves in the water,

blades of grass in the green and rock shapes in the gray. She did exactly what I was hoping for!

The RJR Cotton Couture colors I used for each section are as follows:

Blues:
313 carolina
296 electric blue
280 night
126 royal blue

Aquas:
400 jam jar
391 robins egg
294 cove
274 riviera
328 bora bora

Grays:
319 overcast
283 on the rocks
125 silver
341 stormy night

Greens:
249 sprout
347 grass is always greener
127 kelly green
405 spring
408 leaf

I used Dandelion XOXO for the binding and Bluebird Dottie for the backing both from Cotton + Steel basics.

Going with my nature theme I thought the yellow for sunshine would provide the perfect pop. And I couldn’t pass up that gorgeous minty basics print for the back!!

It was fun to realize while shooting the photos that the gray section matched the weathered boardwalk, bridges and bark on the trees – not to mention the big rocks!

I really loved working with these fabrics to create something that I am really proud of. In fact this is probably the most proud I’ve been of any quilt project I’ve ever made! I can’t wait to gift it. And then make another one for myself! Thanks so much to RJR Fabrics for their generosity and opportunity to make and share this with you! Find me on Instagram @amylouwhosews!

What Shade are You with Sharon McConnell

I did it! I actually made a quilt with solids. This is my first time ever doing it and this quilt is my contribution to the What Shade Are You? series by RJR fabrics. Each friday they feature a quilt made with their Cotton Supreme Solids and have a giveaway (more on that in a minute).

This quilt was outside my comfort zone in a couple ways. Besides being my first ever without any prints, I had to choose the fabrics ahead and stick with them! RJR sent me a color card with all their solids and I chose which ones to use for my quilt. It was kind of tricky (and a really hard decision) to choose what would look good together just from the swatches on the card.

These are the colors I picked:

Swan 370
Indigo 191
Sunset Ruby 357
Flamingo 338
Rio 311
Pink Sapphire 218
Putting Green 290
Schooner 392
Neon 348
Sprout 249
Citrus 384

Usually when I choose fabric for a quilt, I go to my stash and pull a bunch and then add and subtract as I go. It was a good challenge for me to choose a limited palette and then make it work in my design. I am happy with how it turned out!

I usually associate all solids quilts with the really “modern”, minimalist design look, so I decided to go with that. I wanted to make a really graphic pattern that is simple but with lots of interest and movement. Since curves are my favorite, I decided to go with curves, but a shape I haven’t used before.

A couple of things I learned in making this quilt. First, with solids, your piecing has to be spot on. There is no forgiving print or color variation to hide mismatched seams (-: Second, solids are a fun way to explore color. I feel like there is much less need to emphasize value to accomplish a successful pattern. The solid color fabrics are so flat and saturated, you can definitely experiment with very subtle differences in value and shade without losing the detail of your piecing and overall pattern.

I would like to thank RJR for giving me the opportunity to make a What Shade are You? quilt. Be sure and follow me on instagram @colorgirlquilts and my website colorgirlquilts.com.

Sharon

What Shade are You with Toby Lischko

Hello, my name is Toby Lischko of www.gatewayquiltsnstuff.com. I am a quilting teacher, author, and designer and I have been quilting since 1985 and I have continually challenged myself to try different techniques both in my designs and in quilting. You may know me by my Instagram account @tlischko.

I have been designing quilts for RJR for a long time using their current fabric collections. I enjoy taking a traditional type fabrics and creating a quilt design that really shows off many of the different types of prints within the collection. I found it easy to choose blocks to compliment the various types of fabric themes.

When they asked me to design a quilt with their solids collection, I thought, this shouldn’t be too hard. How wrong was I! I knew I wanted to use a traditional block just because I am a traditional quilter and I always refer back to those types of blocks, but I needed to change it to make it more “modern”. The hardest part was picking the fabrics!

I really like playing with log cabin blocks. I have made quite a few log cabin quilts over the years, mostly scrappy with traditional fabrics.

With this log cabin block I wanted to do gradations of two colors. The difficult part was finding the exact gradation that I liked the look of. I could find 4 tones but then the 5th one didn’t look right. Or I could find 5 tones and the 6th didn’t look right. I’m just way too picky when it comes to putting colors together. If I have a large or main print in a fabric collection, it is easy to see what fabrics would go well with it. When I have solid colors, the challenge was, how do I choose which colors I like best together. I finally ended up with peach and aqua.

These are the colors I picked:

235 Paris
278 Just Peachy
338 Flamingo
277 Elephantastic Pink
339 Tropicana
257 Amaryllis
294 Cove
274 Riviera
292 Turks & Caicos
354 Horizon
289 Proud as a Peacock

I work up all of my quilts on Electric Quilt 7. I love that I can play with all types of shapes, layouts, and colors. This is the block I started with. It has one side of the logs larger than the other side, which creates a curved effect.

Instead of having it as a square block, I decided it should be a rectangle. So it became this.

One of the challenges in making it a rectangle was, if the small logs were consistently the same size, I couldn’t make them fit together as they do in the square block so I had to put two logs that end at the same place towards the outer edge. (It’s a math thing!)

I still wasn’t quite done. So in the center to help make the transition from one side to the other I added a triangle.

Now I was ready to design the quilt. I could have just gone with a traditional setting so on my Electric Quilt 7 I started playing with different layouts. Some traditional….

And one sort of traditional but not completely balanced. This is the one I finally ended up with. I did discover something I didn’t know about rectangular blocks like this. The block can’t just simply be turned to create the layout. I had to make a left and right version of the block.

Now for the hard part; the quilting. I always stress about the quilting. I work so hard at getting all of the pieces just right; I think I am going to ruin it with the quilting. I was able to work with some motifs in EQ so I played with 3 different designs. I used Wonderfil’s Invisafil thread so that the quilting was just an accent and not the focus of the quilt.

To make things easier on myself, I chose the last option. I’m not very good at grids, but even if they weren’t perfect, it wouldn’t be that noticeable. You know that sign that says, “Plan ahead” and someone paints themselves into a corner? I did not use any tools other than a ruler to make the lines, all of which are not perfectly even. Well, I’m quilting along and realize that the lines have to match up in the center of the design. What if I didn’t have the same number of lines on the left side of the quilt as the right side? I breathed a sigh of relief when it worked out okay, but realized that there was another area where they come together. Guess what? I had seven lines on the right side and eight lines on the left side. What to do? Take out a whole line (or lines) of quilting? Luckily one side I only had some short stitching lines that I could take out and divide the space into 3 instead of 2 lines.

As an afterthought I, whenever I make log cabin blocks, I like to double (or triple) the size of the front blocks to make the backing. For this one I made the original front block 10″ x 12″ so the back blocks are 20″ x 24″ which made 4 fit perfectly with some off center borders.

The last think I thought about was whether to put a border or binding on it. I decided with neither and made a faced binding (folded to the back) for the first time ever.

I call the quilt Sorbet. It just makes me think of cool iced deserts. I didn’t have any fancy places to take photos like I have seen in previous blogs (like the beach) but I did have a nice sunny day to take these photos.

Thank you RJR for giving me this challenge. I loved working with the fabrics. The fabrics have a wonderful body and sewed up so nice. If you haven’t seen all the stunning projects that have been featured in the #whatshadeareyou series, hop on over to Instagram to check out the hashtag. While you’re there, visit and follow me (@tlischko) and follow RJR (@rjrfabrics) for two chances to win a FQ bundle of the solids I chose for my quilt!

What Shade are You with Jessica Skultety

Hi! I’m Jess of Quilty Habit, and I’m quilting teacher, lecturer, and writer from New Jersey. I’ve only really started making all-solid quilts in the last couple of years, and every time, I fall in love with their graphic beauty. This quilt design lounged for years in my sketchbook, just waiting to be created in real life. Enter RJR Fabrics and the chance to make any quilt I wanted with Cotton Supreme Solids. It was like the quilting gods were sending me a sign, so I had to take it!
“Burst” was made techniques from my “Orange Peels and Improv” class. I pieced the background together in four color segments, using improvisation and snippets of Cotton and Steel Basics to add depth. At first, I was only going to use solids, but the little peeks of prints seemed promising and added interest to the background as I worked.
 
 
Improvisation is my favorite piecing method, and I was excited to work with Cotton Supreme solids for the first time. They are so soft, and it’s staggering how many colors are available! I love saturated, cool colors. First, I used colored pencils to decide my piecing plan.
The orange peels, all made in slightly lighter fabrics, are appliqued on by machine. The process can take a long time for this many peels (50, give or take a couple), but I always turn on a good TV show and work away at them (currently, I’m watching season 4 of Veep).
Here’s a list of colors I used: 
Harbor – 425
Royal Blue – 126
Night – 280
Horizon – 354
Atlantica – 374
Grape – 121
Bougainvillea – 333
Purple Haze – 279
Violet – 423
Jacaranda – 317
Riviera – 274
Melody – 371
Poolside – 327
Hydrangea – 214
Orchid – 421
Optical White – 33
Silver Screen – 380
Turks and Caicos – 292
The goal was to make the orange peels look like they were bursting out from the middle of the quilt (hence the name “Burst”). Perfect for spring, when all the flowers are bursting open. I’ve been completely obsessed with making and designing orange peel quilts since 2014, and all those I’ve made have to do with flowers or the wind. Here, I imagine the wind swirling around and around until a huge gust makes the flower petals scatter. I purposefully created three different orange peel sizes (small, medium, and extra large) to add detail through scale. Once I pinned down the middle and large orange peels, I scattered the others randomly within their paths.
The actual quilting step is my favorite part of making any quilt. I quilt everything on my domestic machine, even this quilt, which is pretty large (78″ square). I decided to accentuate the design from the middle using wavy lines and pebbles. I used several Aurifil threads to achieve this effect: 2024 (white, 28 weight), 2535 (magenta, 40 weight), 5006 (light blue, 40 weight), 1128 (medium blue, 50 weight), 2520 (light purple, 50 weight), 1200 (dark purple, 50 weight), and 2805 (light blue, 50 weight).
Pebbles are one of my go-to quilting motifs, but I always underestimate how long they will take. I went through at least 12 bobbins on pebbles alone!
Towards the end, I had some trouble with my machine (she’s fixed now, thank goodness!) but I couldn’t stitch the middle. I grabbed my variegated purple perle cotton to handstitch a starburst right in the center. I’m really pleased with this little detail!
The back of the quilt was made from several coordinating Cotton and Steel Basics. I also used a little bit of extra solid fabric to balance it out. I really love making double-sided quilts! Finally, I bound the quilt in scrappy greys, teals, and blues from the front.
I was so glad to see that the orange peel design, improvisation, and texture showed up from afar!
It feels absolutely wonderful to finally see my vision in quilt form. Thank you so much to RJR for the chance to work with you and your fabulous fabrics! If you hop over to Instagram, @rjrfabrics and I (@quiltyhabit) are each giving away a bundle of fabric that I used here. Best of luck!

What Shade are You with Isabel Kelly

Hi, Hello, How are you??

Today I am writing about a quilt I made for the #WhatShadeAreYou blog hop tour. Late 2016 RJRFabrics posted a call out on Instagram for people to receive some fabrics and make a quilt with those fabrics. The challenge is work with solids. Most of my quilts have little or no solids in them. So a quilt mainly out of a solid fabric, was a nice challenge for me to undertake.

A little about me. My name is Isabel and I am a Dutch – Australian. Before I moved to Sydney, Australia, I was a police officer in Amsterdam. My last years I served in the Red Light District. In the Netherlands I never ever touched a sewing machine. My mother used to sew, I remember her doing it and me sometimes annoying her under the table by pressing the foot paddle ( lucky my Mum never got injured !!! ) But never ever did I have any interest in doing so myself. Until I became a mother that is. I told myself I needed to learn to sew if I ever became a Mum. After 7 times IVF we finally got lucky. A few weeks later , as a Christmas present, my Mother in Law bought me a machine.

It stayed in the box for about 6 months … One afternoon I took it out whilst my son had his 2 min afternoon sleep ( he never slept long , but it might have been a tad longer then 2 minutes ). I followed the instructions to set the machine up, but skipped the bobbin part, ’cause really, who needs a bobbin! I threaded the machine and started to sew two bits of fabric together… Hmmm, they didn’t stay together ? I asked my neighbour to come and check this machine because it must be faulty… First thing she asked about was that silly bobbin… The rest is history. I had purchased a nice selection of Amy Butler fabrics and I cut them into 6′ wide strips, varied the length cuts and started sewing them together. My first item I made on this tiny Janome was a King size quilt. I still use the quilt and love it very much. That was 2010…. 7 years later I have made so many quilts, for my family and friends, to sell, for us personally and I hope to do so for many more years to come!

Back to the What Shade are you quilt. I asked my son if he wanted to have a new quilt for his bed and if so…. what colours would he like. Well… he wanted them all !!! RJR Fabrics had posted a colour card out to me so I set him a limit of 3 shades of each colour. I was allowed to use any of the Cotton + Steel basics so I used a printed one in 7 colours to add to the solids.

I made up my own block a few months ago for a cushion making challenge on Instagram with the hashtag #MMRcushionPalooza and thought it would be fun to use it again for a whole quilt.

For one block I used a drunkards path ruler from Bloc-Loc for the curved parts ( 4×4″ finished) and made 4 of these. I cut one ( cute bear) centre square of 2.5″ . Then I cut 4 rectangles of 2″ x 2.5″ , which will be closest to the centre square. And then I cut 4 rectangles measuring 3′ x 2.5″. This will give you a 10″ finished block.

This quilt has 5 blocks in every shade my son picked. He picked 7 colours so we ended up with 35 blocks. He wanted the quilt to be happy and bright so the more colour the better. We made up a sashing by cutting strips WOF and then sewing these together in rainbow order. After pressing the rainbow panel I cut them into strips of 2.5″ width. The panel was the same length as the block of course. To make it all flow better and tone down the rainbow overload I added a 2.5″ (cute bear) square in between the strips .

My son loves his quilt!

For backing I used those adorable bears from Cotton + Steel and used one of the Black and White 2017 prints as my binding. I had some drunkards path quarters left over, so I made half circles and with them I made scallops. I added them to the back, just for fun.

If you are on instagram or Facebook please check out the RJR Fabrics post about this quilt. You could win yourself a luscious bundle of fabric !

Do yourself a favour if you want to be inspired by everything solids …. go to Quilt with Love and see what everyone has been making . You will find so many wonderful projects and new blogs to read and fun ideas to be had… your lunch break will have to be extended!

Thank you Rachael from RJR Fabrics for answering my fabric questions and giving me the go ahead to do what ever I wanted to do, with what ever fabric I would pick.

For the stats….

I have used the following fabrics:

Red: 355 beach coral , 49 chilli pepper, 416 red wagon

Orange: 372 orange crush, 412 orange peel, 415 pickup truck

Yellow: 379 sunnyside of the street , 336 banana cream pie, 195 bronze

Green: 347 grass is always greener, 127 kelly green, 109 shamrock

Turquoise: 389 spearmint, 329 emerald city, 403 julep

Blue: 126 royal blue, 296 electric blue, 316 Lancaster sky

Purple: 421 orchid, 279 purple haze, 378 lilac festival

Background fabric (greys and black): 125 silver, 396 raven , 34 black, 380 silver screen, 362 argento and 5023-008 sprinkle

Backing fabric and centre squares: Bears 5113-01

Binding: Berry Patch 5120-01

AND to sweeten the deal…. a giveaway !!!! You can win yourself a sweet bundle of the solids I used in my quilt… and that is a big bundle !! Make sure to follow RJR Fabrics and Lamb and Wolfie on instagram, like and comment on the FQ Bundle post and tag a friend! Do that on both IG accounts and you will have double the chance to win ! GIVEAWAY ENDS MONDAY 24 April 4pm PST on @rjrfabrics account and TUESDAY 25 April 9 am AEDT on @LambandWolfie account (two closing times ?? Actually, same time – different time zones ! )

What Shade are You with Nicole Buckley

Can you imagine how awesome I felt when I was accepted to be a RJR “What Shade Are You” quilter? Well, I was giddy. Then as the process began, I became terrified! Was I good enough? Was I talented? Should I self-design or use someone’s pattern? I perused Pinterest and Instagram for ideas. Then I thought, “Stop it! Do what you love. Do YOU!”

I am an avid open water swimmer. I swim at my local beaches here along the Florida Gulf Coast. I ADORE the sea, salty lips and hair, sand between my toes, dolphins, manatees, fish, and even jelly fish (though their sting sure is frustrating). My absolute favorite time to swim is at sunrise. There are very few people who get in the water or even go to the beach at 7 o’clock in the morning. I have a hard time expressing what my white powdery sand looks like against my “Blue” (the lifeguard stand I meet my swim mates). When the sun rises it jumps over the buildings creating a reflection on the tall building’s windows north of the beach. Bright orange. The water, which is clear, turquoise, and blue have a brilliant pink and orange reflection. Of course, my sun, our sun is brilliant yellow.

So, “What Shade Am I”? I chose the following:

Bougainvillea 333
Pink Sapphire 218
Turk & Caicos 292
Carrot 131
Sunnyside of the Street 379
Lake 427
Redwork 222
Sunny Delight 326
Black 34
Cotton and Steel Macrame Lawn Pattern Midnight by Rashida Coleman-Hale

I snapped this sneak peek and posted on Instagram the minute my fabric arrived from RJR Fabrics you can see it at @saphre1964

Then the planning began… I adore paper piecing. The perfection that ensues makes me feel like I can accomplish anything. Perfect points are easy peasy. I found a wonky log cabin block and decided to “recreate” it on paper. I’m old fashioned even though I’ve only been quilting 3 years. Sewing since I was 8, but didn’t take my love of art, color, and expression to fabric until a group of ladies asked me to sew 11 blocks for a donated quilt for the Wounded Warriors Project. That’s another story. Back to ‘What Share Are You”. >>>>> proof that I am ‘ol fashioned.

RJR fabrics are delicious in saturation. The weave of the fabric is tight and there is very little fray. I’d really love for someone to start a RJR monthly fat quarter club. I’d surely participate.

Each block measures 8.5″ square before piecing. With 8 rows across and 9 rows down it measures in at 64″ x 72″. Perfect for a beach quilt. I chose to quilt her with my favorite thread from King Tut called Pyramids. It’s gold to a cream variegated thread that works beautifully with many things I quilt. So, I put her on my “Dorcas the Longarm” and had panic attack number two. So many of you are amazing long arm quilters. Me? I am, once again, super simple. I can meander, do awesome swirls and waves, and of course can straight line quilt. But, I only free motion. No rulers. What to do? I decided to follow the wonky of the log cabin and chose a very simple (just like me) wonky (just like me) square.

The backing just had to be one of my favorite Cotton and Steel designers and I love the Macarame Lawn, so soft and silky. Fortunately, the wind blew just right for my quilt holder while taking a photo, so, we could get a glimpse of the backing. Trust me, with the black binding, it all works wonderfully.

The entire experience has been one of growth and learning. Is “Sunrise at Blue” perfect? Of course not. Yet, she’s as perfect as this imperfect, simple quilter is, and as beautiful as a sunrise open water swim. I have a saying, I even had it tattooed on my right inner wrist…..i.am blessed…

What Shade are You with Jayme Christensen

Hey everyone! My name is Jayme, but you may know me as @findingsweetland in the quilting community. I started quilting about 6 years ago and super love every aspect of it, from the fabric to the people.

I was lucky enough to be able to join the RJR Fabrics #whatshadeareyou blog series and I’m thrilled to show you my finished quilt.

I call it “Do Granny a Solid”. Okay so it’s not very creative but I’m a quilter, not a writer.

I used the following Cotton Supreme Solids for my blocks with coordinating Cotton + Steel Basics thrown in:

Melody 371
Wimbledon 205
Guava 373
Toyboat 366
Atlantica 374
Harlequin 358
Gelato 414
Sunny Delight 326
Goldilocks 368
Spearmint 389
Lilac Festival 378
Indigo 191

I also used Kerchief 364 for my background, Schooner 392 for my binding, and 0045-02 Party Dresses from Jubilee by Melody Miller for my backing.

I used Trish’s (Notes of Sincerity) “No Waste Large Granny Square Tutorial” for my blocks. Then I used the rest of the Kerchief solid to add some offset borders because I wanted to take that traditional style block and modernize the quilt top by steering clear of an even border.

It is quilted with a basic stipple with some swirls thrown in for fun.

The RJR Cotton Supreme Solids were a dream to work with and there are so many color options. This quilt is so rich and vibrant and would not look that way without the quality and colors RJR provides.

I must give a huge thank you to RJR for letting me participate in this blog series! I am honored to be in such amazingly creative company on this one. If you haven’t seen all the stunning projects that have been featured in the #whatshadeareyou series, hop on over to Instagram to check out the hashtag. While you’re there, visit me (@findingsweetland) and RJR (@rjrfabrics) for two chances to win a FQ bundle of the solids I chose for my quilt!

Urban Artifacts Fabric Collection with Leslie Tucker Jenison

Hi, I am Leslie Tucker Jenison and my new fabric line Urban Artifacts is a collection that is based upon my work as a surface design artist and quilt maker.

For many years I have told stories through my work by first dyeing and printing on cloth (and paper!) and incorporating these into my quilts. I make quilts that are meant to hang on the wall as well as quilts that are artfully useful. The name embraces my design inspirations: I use a wide variety of rather unconventional tools to create my prints.

Some of these seem a little nutty (bottle lids, anyone?) but the truth is that I am fascinated by the question, “what if?” when I work in my studio. These little “aha moments” drive my enthusiasm. The palette of this collection is inspired by my original dyed and printed pieces of cloth and then translated into several color stories. What I love about it is that these beauties play nicely together as a whole or when combined with solids. When I create cloth imagery I’m after a sense of depth and pattern. I love playing with layers and scale. I hope others will enjoy it, too.

Photo by @gogokim

I’m constantly experimenting with design and dye processes and my study of design and color is never-ending. I love the quilted surface because I consider it “2.5-dimensional” art.

Project by @kakiyork

My studio practice includes painting, drawing, and photography and these things inform my work. Inspiration for my surface design and my quilts is everywhere: from a chance encounter with a bee in my garden to a far-flung travel experience.

Project by @deborahboschert

Repetition, both natural and man-made, is a constant visual feast. I cannot imagine being bored because I spend my time looking, drawing, photographing, and thinking about my experiences and it is fun to see how they find their way into my work! I chose the hashtag bee (symbol) authentic because, at the end of the day, that is all any of us can do. I do not take a single day for granted. My motto is “this is NOT a dress rehearsal”. I hope a bit of that message has embedded itself into my fabric!

Project by @daniellewilkes

Check out my interview with The Quilt Show from Fall Quilt Market! Please include in the blog post this link to Leslie’s interview with The Quilt Show at Fall Quilt Market

Urban Artifacts in now available in stores everywhere!!!!

What Shade are You with Amanda Anderson

My name is Amanda and I go by @mandyandydesignss on instagram (but don’t call me Mandy). I’ve been quilting for 11 years, inspired to start quilting by an antique quilt my mom had bought when I was ten. I homeschool my two kids when I am not sewing. I love making quilts but on occasion will make other things, which tend to inspire my quilts. Here is my quilt, called XOXO, which includes fabric weaving and paper piecing and hand quilting galore.

I was thrilled to be contacted by Rachael at RJR Fabrics and it was the same week I posted my Best Nine for 2016 on instagram, eight of which were weavings I had done so I knew I wanted to make something with fabric weaving. I also was working on a new pattern that I really wanted to finish so I went back and forth between the two ideas for a couple days and then it hit me; I’ll combine them. I’m not much of a planner when it comes to quilting, mostly just starting with an idea and letting it evolve as I work. I decided on the idea to make an XO pattern with the fabric weavings as the X’s and the Pyramid Wheel paper piecing pattern as the O’s. I chose the colors based on a weaving I had made for a different project. Most of those fabrics were Cotton & Steel so I was able to easily match the colors of the Cotton Supreme Solids to the fabrics I liked and the ones I couldn’t match were actually C&S Basics anyway.

My colors are:

Bubblegum 244
Hot Pink 217
Pink Saphhire 218
Sunset Ruby 357
Moulin Rouge 356
Red Wagon 416
Silver Lining 433
Silver screen 380
Greyhound 321
Shadow 431
Raven 396
Gift Box 291
Royal Blue 126
Mermaid 393
Banana Cream Pie 336
Peridot 342
Black 34
XOXO Lightning 5001-019
Sprinkle Jelly Bracelet 5023-011
Sprinkle Corduroy 5023-004
Raindrops Geo drops in Charcoal 1943-002 for the backing and binding

I specifically chose a range of colors in pinks and reds and grays and black for the Pyramid Wheel pattern but just chose my favorites for the rest.

When I was making the weavings, I just sat down with all the ironed strips and made each block as I felt. My only goal was to make them look like X’s. The weavings take twice as much fabric as regular piecing does so I cut and ironed a ton of fabric. I cut the selvages off of the solids first before cutting all of my strips and included them within the weavings. They give this wonderful soft and furry texture which I love.

I originally thought that I would make the entire quilt in the weaving and Pyramid Wheel alternating blocks but soon it started looking super busy (and felt so heavy) so I took some time to think about it and decided to add the black on both sides, creating the negative space and putting all the focus on just the off center strip of blocks.

I machine quilted each block individually as a quilt-as-you-go quilt block and then combined the blocks with sashing and the large black panels, machine stitching the sashing and edges of the panels to the backing. I added the binding and then hand quilted each block differently. It is much more enjoyable to hand quilt a finished quilt with no fraying edges or safety pins poking.

This was actually a weird time because I was fixing my house up, selling it, moving, all while trying to work on and finish this quilt. But it was so worth it and I really did enjoy it all. I think it gave me something to focus on during all the craziness.

My parents had a surprise snowfall the day I was going to their house for our monthly family dinner so I decided to take some photos there.

I had an extra woven block which I felt didn’t really fit with the others. It wasn’t looking like an X the way I had hoped so I turned it into a pillow. I think I was channeling @misterdomestic when I made the misfit block.

Thank you to Rachael and RJR Fabrics for allowing me to participate in this fun blog hop, my first! Come see me and @rjrfabrics on instagram for a giveaway of these amazing fabrics and then see what I did with all of those strips I cut but didn’t end up using!

Marie Webster Sampler Bouquet by Quiltsmart

Marie Webster Sampler Bouquet by Quiltsmart

We are so very excited to share this amazing sampler inspired by the appliqué floral quilt designs of renowned quilter, Marie Webster.

The Marie Webster Sampler Bouquet (90 x 100) features RJR Cotton Supreme Solids hand selected by The Quilters Hall of Fame, and match the actual colors used in Marie’s vintage quilts.

What’s more, this fat quarter friendly project is achieved with a clever printed interfacing from Quiltsmart. Quilters will learn modern techniques for traditional appliqué without needleturn. The results are simply beautiful.

Don’t miss the exciting interview with Mattie Haines from Quiltsmart on The Quilt Show.

Kits are available through Missouri Star Quilt Company and the pattern is available through Quiltsmart. The Marie Webster Fat Quarter Boxes can be purchased through the Quilters Hall of Fame.

Learn more about Marie Webster Marie Daugherty Webster

Marie Daugherty Webster (July 19, 1859 – 1956) was a renowned quilt designer, successful businesswoman, and the author of the first American book about quilting, Quilts, Their Story, and How to Make Them, originally published in 1915. Marie Webster learned to quilt in 1909, and did all of her needlework in her home. She began her pattern business, Practical Patchwork Company, out of her home in 1921 and ran the thriving company successfully for more than 20 years. Her landmark book, Quilts: Their Story and How to Make Them, was first published in 1915. When Marie Webster moved out of this house in 1942, she disbanded the Practical Patchwork Company and ceased to make any more quilts. Marie Webster was inducted into the Quilters Hall of Fame in 1991. Her residence in Marion, Indiana, United States, the Marie Webster House, is now home of the Quilters’ Hall of Fame and has been designated a National Historic Landmark.