It’s my turn on the RJR What Shade Are You blog hop!! Have you been following along with the #whatshadeareyou series with RJR Fabrics? I started following RJR fabrics when I found the series or blog hop or whatever you want to call it!
What is this # I keep talking about? Each week or so, they feature a quilter with a quilt made from a bundle of RJR Fabric and then have a giveaway of that fabric bundle! The fabric bundle was what originally hooked me, but the quilters are amazing! I’ve found some new quilters to add to my IG feed, for sure. One day they had a call for bloggers interested in participating, so of course I volunteered and they accepted me.
I used the following colors:
tangerine Dream 276
Orange Crush 372
Turks and Caicos 292
Lucky Green 406
Sour Apple 346
Grass is Always Greener 347
Super excited, right?? Yes, I was. Then panic struck! Me being in the lineup with all these other quilters that use tons of different fabric. I typically only use a few different colors in one quilt, but all these others use tons of colors. I remember walking around Quiltcon looking at the quilts with more than just a few colors for inspiration…
Then I decided on a design I had made in one of my office meeting sketches. It was a design I could incorporate a bunch of colors into. The kiddo and I got to work and picked the fabrics, finally… Then they came. And stage fright set in again. And I decided I didn’t want to make the design I was starting to make…
So in came design idea number 2. A Quilt Design A Day design! The ‘spark’ above from Design Seeds inspired my purple design. And that purple design became my #whatshadeareyou quilt! I thought it would be cool, but I still wasn’t sure it would stand up against all the other quilts in the series. Once I started going, it kept growing on me and I liked it more and more! And now I love it! I hope you do too!
I’m calling it Raindrops on Wildflowers! As I was quilting it, I debated, one big spiral or three spirals? The whole family agreed on three circles. The kiddo said it was like raindrops in water!
The quilt block is obviously something I just made up, but then I realize it was full of inset corners! Ergh… But I remembered they aren’t so bad and I pretty much mastered it! Well, for this block at least! I’ll post a tutorial soon.
The front had to be the solids collection, which I love. My go to solid fabric is typically another brand that I won’t mention here… But I might have just been swayed! This fabric is much softer than my usual. And there’s still tons of colors to choose from. No reason this fabric can’t be my new go to!
And the back is actually a really fun polka dot fabric. The front had to be solids, but you could choose anything for the back. Obviously I had different intentions since it was a different quilt design I ordered the fabric for, but I like the polka dots and stripes together!
And stayed tuned… A tutorial and giveaway will be popping up here shortly!
Hello, I am Allison Lee, @QuiltDesignAtelier and welcome to RJR Fabrics’ #whatshadeareyou blog hop! I love solids and foundation pieced quilts with lots of pieces and lots of colors. I’m so blessed to have been given the opportunity to create a quilt using however many and whatever solids I wanted! I already knew what design I wanted/absolutely had to use, and could hardly wait to get my color card to start plotting. ‘Tempest I and II’ are my experiments in exploring color movement and celebrating Cotton Supreme Solids. Looking at the quilts side by side, you’ll see they have the same colors, except for the background. I love how different they look. I chose the background first – the color that would move constantly through the design. However, I couldn’t choose just one background color, so I had to make two quilts. I love how they turned out. The colors flow and sing with brightness. Which one is your favorite?!
Like many before me, I cut up the entire color palette so the individual pieces could be joyously tossed in the air, arranged and rearranged in moments of inspiration, frustration, and finally, clarity. So helpful! RJR’s extensive Cotton Supreme Solids palette allowed me to select color arrays with smooth value transitions. I love a good ombre, all day, every day. I intentionally added yellow to the hues (when possible) as they move from dark to light value. Limiting my palette to six values of four hues meant there would be 24 colors to work with.
‘Netorious’ in Cloud Metallic #5000-10 is my most favorite print from Cotton and Steel. It’s one I come back to again and again because it plays well with so many others. It also has one of my most favorite fabric words – “metallic”. The greige base color with a hint of green is a perfect neutral – it goes well with just about every hue. And then you add metallic silver: MAGIC. Tempest I is my joyful ode to neutral metallics and the juicy, saturated solids that interact with them.
Medianoche 430 is the richest, smoothest, darkest blue I’ve encountered. Even the name rolls off the tongue beautifully. It translates to ‘midnight’, but is also the name of a delicious Cuban sandwich. I knew it would be a challenge to photograph, but I didn’t care. Its color depth suggests black, but it is not black. I would like a few bolts of this amazing color, please. Tempest II is my love song to Medianoche (the color or the sandwich – take your pick!).
I am often inspired to take a classic quilt block and make it bigger, with many, many more pieces and colors. So the final quilt is made from a single block, exploded outward. I’ve done this with the pineapple block and various log cabin designs. I am fascinated with the twisted log cabin block. I love to analyze geometric designs and figure out how they’ve been created. To make the quilt bigger, and to smooth the transition from one value to the next, I decided to use each solid twice. This color repetition also gives the design more depth. Here are my rough draft layouts constructed in EQ7:
These quilts were a labor of love, no doubt. There are 24 rows in each quadrant. Only two can be sewn on at a time, so that’s 48 trips to the sewing machine! The shapes are foundation pieced from the center outward, so adding a row is like watching a flower slowly bloom. It is so exciting to see the design and color emerge!
The challenge for me is deciding the quilting design. I drafted undulating zigzags onto each colored ‘spoke’ and then quilted with variegated thread. I chose thread close to the fabric colors so it would not take away from the graphic piecing design. The zigzags move with the direction of the ‘spokes’ to allow your eye to follow, rather than rest on a particular area.
Listed below are the fabrics I chose. They cut, sew, and press like a dream. All the heart emojis!
1. Jam Jar 400
2. Robin’s Egg 391
3. Schooner 392
4. Horizon 354
5. Proud as a Peacock 289
6. Mermaid 393
7. Tourmaline 103
8. Harlequin 358
9. Peridot 342
10. Pea in a Pod 359
11. Wimbledon 205
12. Think Green 375
13. Apricot Ice 387
14. Just Peachy 278
15. Charlotte 226
16. Guava 373
17. Rio 311
18. Magenta 417
19. Carolina 313
20. Cornflower 94
21. Haviland Blue 169
22. Jean Jacket 429
23. Denim 106
24. Slate 298
25. Netorious in Cloud Metallic #5000-10 (background)
26. Medianoche 430 (background)
Backing and center for Tempest II: Sea Farer gold metallic #5114-01
Binding and center for Tempest I: Swan 370
Thank you, RJR Fabrics for the opportunity to create with your beautiful solids. I most definitely did Quilt With Love. Now, for the best news: RJR is giving away a bundle of the fabrics I chose for these quilts, and so am I! To enter, follow both @RJRfabrics and me @QuiltDesignAtelier for two chances to win a FQ bundle. Check out #whatshadeareyou for other quilters and their inspirational Cotton Supreme Solids projects!
All the best!
What shade are *you*?
Me? I’m Amy and I’m a turquoise/mint/light blue or really any shade of blue kinda girl! If you’ve ever read my blog (http://www.amylouwhosews.com) or seen my Instagram feed (@amylouwhosews), this will not be a surprise to you at all! I love the calmness the color blue invokes – the sea, the sky, nature in general.
I really don’t consider myself a big quilter. I’ve been sewing since I was young, but started out making clothing. I quilted a bit with my mom and have made a few over the years – but find I’m not super patient with the process! Bags, zippies and clothing come together so much quicker! However, I do love quilts! And I’ve always admired triangle quilts made with solids. So when RJR asked for people interested in doing something for their #whatshadeareyou feature I had the perfect idea in mind. I’m really happy to share it with you!
My brother has a new house out on the Chesapeake Bay. From their back porch they have a gorgeous view of the green grass, gray boulders at the shoreline, and the aqua bay melding into the horizon of the darker blue sky. I tried to capture that in the colors I chose to represent each part of the view. And also capture the calm and peaceful feeling of standing at the water’s edge.
I was hoping to get out there to take a photo in the same location but I wasn’t able to make it work. Instead I went to a nearby park with water views of a creek off the Potomac and a rock quarry where stones were cut and hauled up river to build the U.S. Capitol building! How cool is that!? We had a fun time on our hike/photo session. We got some funny looks though!
Props to my friend who climbed up there to hold the quilt up!
Now, back to the quilt…
Since I had never made a triangle quilt I followed cutting and sewing instructions from the pattern Kwik Hexie Links by Karie of Two Kwik Quilters. I was able to use her coloring sheet in the pattern to figure out how many triangles of each color I was going to use and design my own color pattern.
Initially, I was going to just do one section of each color, but when I got the green and the grey sections sewn together the line was too stark. So I went back and sewed another row of triangles together mixing the lighter greens and grays to have colors fade a little into each other. I then repeated the same thing to mesh together the gray and aqua, then aqua and darker blues. I love the ombre-esque feeling it has. This really ended up being a hybrid planned/improv quilt. I tried not to overthink the placement within each section and it worked out better than I could have imagined!
My talented friend Becky (IG: @sarcasticquilter) echoed the idea of the view with her quilting of cloudy shapes in the sky and waves in the water,
blades of grass in the green and rock shapes in the gray. She did exactly what I was hoping for!
The RJR Cotton Couture colors I used for each section are as follows:
296 electric blue
126 royal blue
400 jam jar
391 robins egg
328 bora bora
283 on the rocks
341 stormy night
347 grass is always greener
127 kelly green
I used Dandelion XOXO for the binding and Bluebird Dottie for the backing both from Cotton + Steel basics.
Going with my nature theme I thought the yellow for sunshine would provide the perfect pop. And I couldn’t pass up that gorgeous minty basics print for the back!!
It was fun to realize while shooting the photos that the gray section matched the weathered boardwalk, bridges and bark on the trees – not to mention the big rocks!
I really loved working with these fabrics to create something that I am really proud of. In fact this is probably the most proud I’ve been of any quilt project I’ve ever made! I can’t wait to gift it. And then make another one for myself! Thanks so much to RJR Fabrics for their generosity and opportunity to make and share this with you! Find me on Instagram @amylouwhosews!
I did it! I actually made a quilt with solids. This is my first time ever doing it and this quilt is my contribution to the What Shade Are You? series by RJR fabrics. Each friday they feature a quilt made with their Cotton Supreme Solids and have a giveaway (more on that in a minute).
This quilt was outside my comfort zone in a couple ways. Besides being my first ever without any prints, I had to choose the fabrics ahead and stick with them! RJR sent me a color card with all their solids and I chose which ones to use for my quilt. It was kind of tricky (and a really hard decision) to choose what would look good together just from the swatches on the card.
These are the colors I picked:
Sunset Ruby 357
Pink Sapphire 218
Putting Green 290
Usually when I choose fabric for a quilt, I go to my stash and pull a bunch and then add and subtract as I go. It was a good challenge for me to choose a limited palette and then make it work in my design. I am happy with how it turned out!
I usually associate all solids quilts with the really “modern”, minimalist design look, so I decided to go with that. I wanted to make a really graphic pattern that is simple but with lots of interest and movement. Since curves are my favorite, I decided to go with curves, but a shape I haven’t used before.
A couple of things I learned in making this quilt. First, with solids, your piecing has to be spot on. There is no forgiving print or color variation to hide mismatched seams (-: Second, solids are a fun way to explore color. I feel like there is much less need to emphasize value to accomplish a successful pattern. The solid color fabrics are so flat and saturated, you can definitely experiment with very subtle differences in value and shade without losing the detail of your piecing and overall pattern.
I would like to thank RJR for giving me the opportunity to make a What Shade are You? quilt. Be sure and follow me on instagram @colorgirlquilts and my website colorgirlquilts.com.
Hello, my name is Toby Lischko of www.gatewayquiltsnstuff.com. I am a quilting teacher, author, and designer and I have been quilting since 1985 and I have continually challenged myself to try different techniques both in my designs and in quilting. You may know me by my Instagram account @tlischko.
I have been designing quilts for RJR for a long time using their current fabric collections. I enjoy taking a traditional type fabrics and creating a quilt design that really shows off many of the different types of prints within the collection. I found it easy to choose blocks to compliment the various types of fabric themes.
When they asked me to design a quilt with their solids collection, I thought, this shouldn’t be too hard. How wrong was I! I knew I wanted to use a traditional block just because I am a traditional quilter and I always refer back to those types of blocks, but I needed to change it to make it more “modern”. The hardest part was picking the fabrics!
I really like playing with log cabin blocks. I have made quite a few log cabin quilts over the years, mostly scrappy with traditional fabrics.
With this log cabin block I wanted to do gradations of two colors. The difficult part was finding the exact gradation that I liked the look of. I could find 4 tones but then the 5th one didn’t look right. Or I could find 5 tones and the 6th didn’t look right. I’m just way too picky when it comes to putting colors together. If I have a large or main print in a fabric collection, it is easy to see what fabrics would go well with it. When I have solid colors, the challenge was, how do I choose which colors I like best together. I finally ended up with peach and aqua.
These are the colors I picked:
278 Just Peachy
277 Elephantastic Pink
292 Turks & Caicos
289 Proud as a Peacock
I work up all of my quilts on Electric Quilt 7. I love that I can play with all types of shapes, layouts, and colors. This is the block I started with. It has one side of the logs larger than the other side, which creates a curved effect.
Instead of having it as a square block, I decided it should be a rectangle. So it became this.
One of the challenges in making it a rectangle was, if the small logs were consistently the same size, I couldn’t make them fit together as they do in the square block so I had to put two logs that end at the same place towards the outer edge. (It’s a math thing!)
I still wasn’t quite done. So in the center to help make the transition from one side to the other I added a triangle.
Now I was ready to design the quilt. I could have just gone with a traditional setting so on my Electric Quilt 7 I started playing with different layouts. Some traditional….
And one sort of traditional but not completely balanced. This is the one I finally ended up with. I did discover something I didn’t know about rectangular blocks like this. The block can’t just simply be turned to create the layout. I had to make a left and right version of the block.
Now for the hard part; the quilting. I always stress about the quilting. I work so hard at getting all of the pieces just right; I think I am going to ruin it with the quilting. I was able to work with some motifs in EQ so I played with 3 different designs. I used Wonderfil’s Invisafil thread so that the quilting was just an accent and not the focus of the quilt.
To make things easier on myself, I chose the last option. I’m not very good at grids, but even if they weren’t perfect, it wouldn’t be that noticeable. You know that sign that says, “Plan ahead” and someone paints themselves into a corner? I did not use any tools other than a ruler to make the lines, all of which are not perfectly even. Well, I’m quilting along and realize that the lines have to match up in the center of the design. What if I didn’t have the same number of lines on the left side of the quilt as the right side? I breathed a sigh of relief when it worked out okay, but realized that there was another area where they come together. Guess what? I had seven lines on the right side and eight lines on the left side. What to do? Take out a whole line (or lines) of quilting? Luckily one side I only had some short stitching lines that I could take out and divide the space into 3 instead of 2 lines.
As an afterthought I, whenever I make log cabin blocks, I like to double (or triple) the size of the front blocks to make the backing. For this one I made the original front block 10″ x 12″ so the back blocks are 20″ x 24″ which made 4 fit perfectly with some off center borders.
The last think I thought about was whether to put a border or binding on it. I decided with neither and made a faced binding (folded to the back) for the first time ever.
I call the quilt Sorbet. It just makes me think of cool iced deserts. I didn’t have any fancy places to take photos like I have seen in previous blogs (like the beach) but I did have a nice sunny day to take these photos.
Thank you RJR for giving me this challenge. I loved working with the fabrics. The fabrics have a wonderful body and sewed up so nice. If you haven’t seen all the stunning projects that have been featured in the #whatshadeareyou series, hop on over to Instagram to check out the hashtag. While you’re there, visit and follow me (@tlischko) and follow RJR (@rjrfabrics) for two chances to win a FQ bundle of the solids I chose for my quilt!
Hi! I’m Jess of Quilty Habit, and I’m quilting teacher, lecturer, and writer from New Jersey. I’ve only really started making all-solid quilts in the last couple of years, and every time, I fall in love with their graphic beauty. This quilt design lounged for years in my sketchbook, just waiting to be created in real life. Enter RJR Fabrics and the chance to make any quilt I wanted with Cotton Supreme Solids. It was like the quilting gods were sending me a sign, so I had to take it!
“Burst” was made techniques from my “Orange Peels and Improv” class. I pieced the background together in four color segments, using improvisation and snippets of Cotton and Steel Basics to add depth. At first, I was only going to use solids, but the little peeks of prints seemed promising and added interest to the background as I worked.
Improvisation is my favorite piecing method, and I was excited to work with Cotton Supreme solids for the first time. They are so soft, and it’s staggering how many colors are available! I love saturated, cool colors. First, I used colored pencils to decide my piecing plan.
The orange peels, all made in slightly lighter fabrics, are appliqued on by machine. The process can take a long time for this many peels (50, give or take a couple), but I always turn on a good TV show and work away at them (currently, I’m watching season 4 of Veep).
Here’s a list of colors I used:
Harbor – 425
Royal Blue – 126
Night – 280
Horizon – 354
Atlantica – 374
Grape – 121
Bougainvillea – 333
Purple Haze – 279
Violet – 423
Jacaranda – 317
Riviera – 274
Melody – 371
Poolside – 327
Hydrangea – 214
Orchid – 421
Optical White – 33
Silver Screen – 380
Turks and Caicos – 292
The goal was to make the orange peels look like they were bursting out from the middle of the quilt (hence the name “Burst”). Perfect for spring, when all the flowers are bursting open. I’ve been completely obsessed with making and designing orange peel quilts since 2014, and all those I’ve made have to do with flowers or the wind.
Here, I imagine the wind swirling around and around until a huge gust makes the flower petals scatter. I purposefully created three different orange peel sizes (small, medium, and extra large) to add detail through scale. Once I pinned down the middle and large orange peels, I scattered the others randomly within their paths.
The actual quilting step is my favorite part of making any quilt. I quilt everything on my domestic machine, even this quilt, which is pretty large (78″ square). I decided to accentuate the design from the middle using wavy lines and pebbles. I used several Aurifil threads to achieve this effect: 2024 (white, 28 weight), 2535 (magenta, 40 weight), 5006 (light blue, 40 weight), 1128 (medium blue, 50 weight), 2520 (light purple, 50 weight), 1200 (dark purple, 50 weight), and 2805 (light blue, 50 weight).
Pebbles are one of my go-to quilting motifs, but I always underestimate how long they will take. I went through at least 12 bobbins on pebbles alone!
Towards the end, I had some trouble with my machine (she’s fixed now, thank goodness!) but I couldn’t stitch the middle. I grabbed my variegated purple perle cotton to handstitch a starburst right in the center. I’m really pleased with this little detail!
The back of the quilt was made from several coordinating Cotton and Steel Basics. I also used a little bit of extra solid fabric to balance it out. I really love making double-sided quilts! Finally, I bound the quilt in scrappy greys, teals, and blues from the front.
I was so glad to see that the orange peel design, improvisation, and texture showed up from afar!
It feels absolutely wonderful to finally see my vision in quilt form. Thank you so much to RJR for the chance to work with you and your fabulous fabrics! If you hop over to Instagram, @rjrfabrics and I (@quiltyhabit) are each giving away a bundle of fabric that I used here. Best of luck!
Hi, Hello, How are you??
Today I am writing about a quilt I made for the #WhatShadeAreYou blog hop tour. Late 2016 RJRFabrics posted a call out on Instagram for people to receive some fabrics and make a quilt with those fabrics. The challenge is work with solids. Most of my quilts have little or no solids in them. So a quilt mainly out of a solid fabric, was a nice challenge for me to undertake.
A little about me. My name is Isabel and I am a Dutch – Australian. Before I moved to Sydney, Australia, I was a police officer in Amsterdam. My last years I served in the Red Light District. In the Netherlands I never ever touched a sewing machine. My mother used to sew, I remember her doing it and me sometimes annoying her under the table by pressing the foot paddle ( lucky my Mum never got injured !!! ) But never ever did I have any interest in doing so myself. Until I became a mother that is. I told myself I needed to learn to sew if I ever became a Mum. After 7 times IVF we finally got lucky. A few weeks later , as a Christmas present, my Mother in Law bought me a machine.
It stayed in the box for about 6 months … One afternoon I took it out whilst my son had his 2 min afternoon sleep ( he never slept long , but it might have been a tad longer then 2 minutes ). I followed the instructions to set the machine up, but skipped the bobbin part, ’cause really, who needs a bobbin! I threaded the machine and started to sew two bits of fabric together… Hmmm, they didn’t stay together ? I asked my neighbour to come and check this machine because it must be faulty… First thing she asked about was that silly bobbin… The rest is history. I had purchased a nice selection of Amy Butler fabrics and I cut them into 6′ wide strips, varied the length cuts and started sewing them together. My first item I made on this tiny Janome was a King size quilt. I still use the quilt and love it very much. That was 2010…. 7 years later I have made so many quilts, for my family and friends, to sell, for us personally and I hope to do so for many more years to come!
Back to the What Shade are you quilt. I asked my son if he wanted to have a new quilt for his bed and if so…. what colours would he like. Well… he wanted them all !!! RJR Fabrics had posted a colour card out to me so I set him a limit of 3 shades of each colour. I was allowed to use any of the Cotton + Steel basics so I used a printed one in 7 colours to add to the solids.
I made up my own block a few months ago for a cushion making challenge on Instagram with the hashtag #MMRcushionPalooza and thought it would be fun to use it again for a whole quilt.
For one block I used a drunkards path ruler from Bloc-Loc for the curved parts ( 4×4″ finished) and made 4 of these. I cut one ( cute bear) centre square of 2.5″ . Then I cut 4 rectangles of 2″ x 2.5″ , which will be closest to the centre square. And then I cut 4 rectangles measuring 3′ x 2.5″. This will give you a 10″ finished block.
This quilt has 5 blocks in every shade my son picked. He picked 7 colours so we ended up with 35 blocks. He wanted the quilt to be happy and bright so the more colour the better. We made up a sashing by cutting strips WOF and then sewing these together in rainbow order. After pressing the rainbow panel I cut them into strips of 2.5″ width. The panel was the same length as the block of course. To make it all flow better and tone down the rainbow overload I added a 2.5″ (cute bear) square in between the strips .
My son loves his quilt!
For backing I used those adorable bears from Cotton + Steel and used one of the Black and White 2017 prints as my binding. I had some drunkards path quarters left over, so I made half circles and with them I made scallops. I added them to the back, just for fun.
If you are on instagram or Facebook please check out the RJR Fabrics post about this quilt. You could win yourself a luscious bundle of fabric !
Do yourself a favour if you want to be inspired by everything solids …. go to Quilt with Love and see what everyone has been making . You will find so many wonderful projects and new blogs to read and fun ideas to be had… your lunch break will have to be extended!
Thank you Rachael from RJR Fabrics for answering my fabric questions and giving me the go ahead to do what ever I wanted to do, with what ever fabric I would pick.
For the stats….
I have used the following fabrics:
Red: 355 beach coral , 49 chilli pepper, 416 red wagon
Orange: 372 orange crush, 412 orange peel, 415 pickup truck
Yellow: 379 sunnyside of the street , 336 banana cream pie, 195 bronze
Green: 347 grass is always greener, 127 kelly green, 109 shamrock
Turquoise: 389 spearmint, 329 emerald city, 403 julep
Blue: 126 royal blue, 296 electric blue, 316 Lancaster sky
Purple: 421 orchid, 279 purple haze, 378 lilac festival
Background fabric (greys and black): 125 silver, 396 raven , 34 black, 380 silver screen, 362 argento and 5023-008 sprinkle
Backing fabric and centre squares: Bears 5113-01
Binding: Berry Patch 5120-01
AND to sweeten the deal…. a giveaway !!!! You can win yourself a sweet bundle of the solids I used in my quilt… and that is a big bundle !! Make sure to follow RJR Fabrics and Lamb and Wolfie on instagram, like and comment on the FQ Bundle post and tag a friend! Do that on both IG accounts and you will have double the chance to win ! GIVEAWAY ENDS MONDAY 24 April 4pm PST on @rjrfabrics account and TUESDAY 25 April 9 am AEDT on @LambandWolfie account (two closing times ?? Actually, same time – different time zones ! )
Can you imagine how awesome I felt when I was accepted to be a RJR “What Shade Are You” quilter? Well, I was giddy. Then as the process began, I became terrified! Was I good enough? Was I talented? Should I self-design or use someone’s pattern? I perused Pinterest and Instagram for ideas. Then I thought, “Stop it! Do what you love. Do YOU!”
I am an avid open water swimmer. I swim at my local beaches here along the Florida Gulf Coast. I ADORE the sea, salty lips and hair, sand between my toes, dolphins, manatees, fish, and even jelly fish (though their sting sure is frustrating). My absolute favorite time to swim is at sunrise. There are very few people who get in the water or even go to the beach at 7 o’clock in the morning. I have a hard time expressing what my white powdery sand looks like against my “Blue” (the lifeguard stand I meet my swim mates). When the sun rises it jumps over the buildings creating a reflection on the tall building’s windows north of the beach. Bright orange. The water, which is clear, turquoise, and blue have a brilliant pink and orange reflection. Of course, my sun, our sun is brilliant yellow.
So, “What Shade Am I”? I chose the following:
Pink Sapphire 218
Turk & Caicos 292
Sunnyside of the Street 379
Sunny Delight 326
Cotton and Steel Macrame Lawn Pattern Midnight by Rashida Coleman-Hale
I snapped this sneak peek and posted on Instagram the minute my fabric arrived from RJR Fabrics you can see it at @saphre1964
Then the planning began…
I adore paper piecing. The perfection that ensues makes me feel like I can accomplish anything. Perfect points are easy peasy.
I found a wonky log cabin block and decided to “recreate” it on paper. I’m old fashioned even though I’ve only been quilting 3 years. Sewing since I was 8, but didn’t take my love of art, color, and expression to fabric until a group of ladies asked me to sew 11 blocks for a donated quilt for the Wounded Warriors Project. That’s another story. Back to ‘What Share Are You”. >>>>> proof that I am ‘ol fashioned.
RJR fabrics are delicious in saturation. The weave of the fabric is tight and there is very little fray. I’d really love for someone to start a RJR monthly fat quarter club. I’d surely participate.
Each block measures 8.5″ square before piecing. With 8 rows across and 9 rows down it measures in at 64″ x 72″. Perfect for a beach quilt. I chose to quilt her with my favorite thread from King Tut called Pyramids. It’s gold to a cream variegated thread that works beautifully with many things I quilt. So, I put her on my “Dorcas the Longarm” and had panic attack number two. So many of you are amazing long arm quilters. Me? I am, once again, super simple. I can meander, do awesome swirls and waves, and of course can straight line quilt. But, I only free motion. No rulers. What to do? I decided to follow the wonky of the log cabin and chose a very simple (just like me) wonky (just like me) square.
The backing just had to be one of my favorite Cotton and Steel designers and I love the Macarame Lawn, so soft and silky. Fortunately, the wind blew just right for my quilt holder while taking a photo, so, we could get a glimpse of the backing. Trust me, with the black binding, it all works wonderfully.
The entire experience has been one of growth and learning. Is “Sunrise at Blue” perfect? Of course not. Yet, she’s as perfect as this imperfect, simple quilter is, and as beautiful as a sunrise open water swim. I have a saying, I even had it tattooed on my right inner wrist…..i.am blessed…
Hey everyone! My name is Jayme, but you may know me as @findingsweetland in the quilting community. I started quilting about 6 years ago and super love every aspect of it, from the fabric to the people.
I was lucky enough to be able to join the RJR Fabrics #whatshadeareyou blog series and I’m thrilled to show you my finished quilt.
I call it “Do Granny a Solid”. Okay so it’s not very creative but I’m a quilter, not a writer.
I used the following Cotton Supreme Solids for my blocks with coordinating Cotton + Steel Basics thrown in:
Sunny Delight 326
Lilac Festival 378
I also used Kerchief 364 for my background, Schooner 392 for my binding, and 0045-02 Party Dresses from Jubilee by Melody Miller for my backing.
I used Trish’s (Notes of Sincerity) “No Waste Large Granny Square Tutorial” for my blocks. Then I used the rest of the Kerchief solid to add some offset borders because I wanted to take that traditional style block and modernize the quilt top by steering clear of an even border.
It is quilted with a basic stipple with some swirls thrown in for fun.
The RJR Cotton Supreme Solids were a dream to work with and there are so many color options. This quilt is so rich and vibrant and would not look that way without the quality and colors RJR provides.
I must give a huge thank you to RJR for letting me participate in this blog series! I am honored to be in such amazingly creative company on this one. If you haven’t seen all the stunning projects that have been featured in the #whatshadeareyou series, hop on over to Instagram to check out the hashtag. While you’re there, visit me (@findingsweetland) and RJR (@rjrfabrics) for two chances to win a FQ bundle of the solids I chose for my quilt!