Hey everyone! My name is Jayme, but you may know me as @findingsweetland in the quilting community. I started quilting about 6 years ago and super love every aspect of it, from the fabric to the people.
I was lucky enough to be able to join the RJR Fabrics #whatshadeareyou blog series and I’m thrilled to show you my finished quilt.
I call it “Do Granny a Solid”. Okay so it’s not very creative but I’m a quilter, not a writer.
I used the following Cotton Supreme Solids for my blocks with coordinating Cotton + Steel Basics thrown in:
Sunny Delight 326
Lilac Festival 378
I also used Kerchief 364 for my background, Schooner 392 for my binding, and 0045-02 Party Dresses from Jubilee by Melody Miller for my backing.
I used Trish’s (Notes of Sincerity) “No Waste Large Granny Square Tutorial” for my blocks. Then I used the rest of the Kerchief solid to add some offset borders because I wanted to take that traditional style block and modernize the quilt top by steering clear of an even border.
It is quilted with a basic stipple with some swirls thrown in for fun.
The RJR Cotton Supreme Solids were a dream to work with and there are so many color options. This quilt is so rich and vibrant and would not look that way without the quality and colors RJR provides.
I must give a huge thank you to RJR for letting me participate in this blog series! I am honored to be in such amazingly creative company on this one. If you haven’t seen all the stunning projects that have been featured in the #whatshadeareyou series, hop on over to Instagram to check out the hashtag. While you’re there, visit me (@findingsweetland) and RJR (@rjrfabrics) for two chances to win a FQ bundle of the solids I chose for my quilt!
My name is Amanda and I go by @mandyandydesignss on instagram (but don’t call me Mandy). I’ve been quilting for 11 years, inspired to start quilting by an antique quilt my mom had bought when I was ten. I homeschool my two kids when I am not sewing. I love making quilts but on occasion will make other things, which tend to inspire my quilts. Here is my quilt, called XOXO, which includes fabric weaving and paper piecing and hand quilting galore.
I was thrilled to be contacted by Rachael at RJR Fabrics and it was the same week I posted my Best Nine for 2016 on instagram, eight of which were weavings I had done so I knew I wanted to make something with fabric weaving. I also was working on a new pattern that I really wanted to finish so I went back and forth between the two ideas for a couple days and then it hit me; I’ll combine them. I’m not much of a planner when it comes to quilting, mostly just starting with an idea and letting it evolve as I work. I decided on the idea to make an XO pattern with the fabric weavings as the X’s and the Pyramid Wheel paper piecing pattern as the O’s. I chose the colors based on a weaving I had made for a different project. Most of those fabrics were Cotton & Steel so I was able to easily match the colors of the Cotton Supreme Solids to the fabrics I liked and the ones I couldn’t match were actually C&S Basics anyway.
My colors are:
Hot Pink 217
Pink Saphhire 218
Sunset Ruby 357
Moulin Rouge 356
Red Wagon 416
Silver Lining 433
Silver screen 380
Gift Box 291
Royal Blue 126
Banana Cream Pie 336
XOXO Lightning 5001-019
Sprinkle Jelly Bracelet 5023-011
Sprinkle Corduroy 5023-004
Raindrops Geo drops in Charcoal 1943-002 for the backing and binding
I specifically chose a range of colors in pinks and reds and grays and black for the Pyramid Wheel pattern but just chose my favorites for the rest.
When I was making the weavings, I just sat down with all the ironed strips and made each block as I felt. My only goal was to make them look like X’s. The weavings take twice as much fabric as regular piecing does so I cut and ironed a ton of fabric. I cut the selvages off of the solids first before cutting all of my strips and included them within the weavings. They give this wonderful soft and furry texture which I love.
I originally thought that I would make the entire quilt in the weaving and Pyramid Wheel alternating blocks but soon it started looking super busy (and felt so heavy) so I took some time to think about it and decided to add the black on both sides, creating the negative space and putting all the focus on just the off center strip of blocks.
I machine quilted each block individually as a quilt-as-you-go quilt block and then combined the blocks with sashing and the large black panels, machine stitching the sashing and edges of the panels to the backing. I added the binding and then hand quilted each block differently. It is much more enjoyable to hand quilt a finished quilt with no fraying edges or safety pins poking.
This was actually a weird time because I was fixing my house up, selling it, moving, all while trying to work on and finish this quilt. But it was so worth it and I really did enjoy it all. I think it gave me something to focus on during all the craziness.
My parents had a surprise snowfall the day I was going to their house for our monthly family dinner so I decided to take some photos there.
I had an extra woven block which I felt didn’t really fit with the others. It wasn’t looking like an X the way I had hoped so I turned it into a pillow. I think I was channeling @misterdomestic when I made the misfit block.
Thank you to Rachael and RJR Fabrics for allowing me to participate in this fun blog hop, my first! Come see me and @rjrfabrics on instagram for a giveaway of these amazing fabrics and then see what I did with all of those strips I cut but didn’t end up using!
Hi everyone, I’m Lisa, also known as @sewwhatyoulove on Instagram. I live in Switzerland and am a mom to 2 little ladies and wife to one very supportive husband. I finished architecture school, got an EMBA, worked as a project manager and took a Wilton Master Course in Cake Decoration ;o) before I started sewing on a more regular basis in 2012 after the birth of our first daughter. We were living as Expats in the Mid West of the US (Kansas City) at that time and I was lucky enough to join a sewing circle. I was mainly sewing clothes for my daughter but picked up quilting in 2015 through that sewing circle. And I know now I have found my passion in making quilts.
What shade am I? At a fun mom’s night out in KC I once had to choose a fruit to describe myself and picked dragon fruit. I’m mostly known as someone that laughs and smiles a lot especially among people I know and love but I can also be an introvert and I need those lonely hours to recharge. Translated to my favorite shades of colors: I love everything bright, saturated and colorful, but also a hint of black and white for good measure now and then.
Getting lucky enough to participate in the “What shade are you” blog hop I knew I wanted to make something radiant. Searching through my inspiration archives and after watching Trolls ;o) (those colors ❤), I came up with my ‘Glitter sparkles’ foundation paper piecing design.
I was going for a huge quilt for our couch, but designing, planning and piecing the quilt top took a lot longer than anticipated. That’s why I chose to make it a bit smaller, and instead used the leftover fabric to piece the back in a way I had in my mind for a while. I love how those 48 colors play together in both designs, the wonky stripes and the glitter sparkles.
Next came the quilting. I wanted to keep the quilting simple and somehow ‘imperfect’ to not distract from the design but also to loosen up the perfectness of the paper piecing. I enjoy little imperfections and irregularities in most quilts because that’s what makes them perfect in my very own opinion. After all they’re made by humans and not machines. That’s why I went with “straight” line quilting and didn’t worry about some wonkiness. I quilted with 12 different colors of Aurifil wt50 and added 12 more colors of handstitched lines in Aurifil wt12. I wished I would have had more time to add more hand quilting lines, I might add a few more later on.
And finally the quilt was bound in Cotton and Steel Rifle Paper Co. Les Fleurs Metallic Queen Anne Navy that I had originally planned as the back. The gold accents add the perfect sparkle to the quilt.
When I got my blog hop date announced I knew I had to finish the quilt prior to our ski vacation in the Swiss Alpes and get those pictures taken there. Having snow storms three days in a row it didn’t look like I could get one picture with the Alpes in the background, but then the weather changed I managed to snap those mountain pictures the day before we left.
It definitely was a family effort and I’m thankful for my husband (quilt holder) and the girls for being so forbearing and patient.
Thank you, thank you from the bottom of my heart RJR Fabrics, and especially Rachael for answering my questions and being so very generous by letting me play with your awesome, soft and beautiful fabric. I really appreciate you were giving me the opportunity to be part of your ‘What shade are you’ blog hop! This quilt is already loved and fought over during movie night.
Here’s a list of the colors I used:
356 moulin rouge
325 scarlet letter
355 beach coral
217 hot pink
230 noel red
418 antique rose
359 pea in a pod
349 aloe verde
343 martini olive
379 sunnyside of the street
350 army green
391 robin’s egg
347 grass is always greener
127 kelly green
287 raging ruby
218 pink sapphire
420 sweet pea
281 cloud 9
316 lancaster sky
8005-03 Rifle Paper Co. les fleurs metallic queen anne navy
Xoxo from Switzerland, Lisa
Hey guys! Vicki here from Orchid Owl Quilts. I’m a full time professional longarm quilter and wanna be pattern designer. You should follow along with all my craziness over on Instagram (@OrchidOwlQuilts) and Facebook (Orchid Owl Quilts). I spend most of my days with my INNOVA longarm machines quilting for other people.
Today I have the pleasure of sharing my Argyle Gone Wild quilt that I made using RJR Fabrics Cotton Supreme Solids. I was so excited when Rachael contacted me about joining in on the What Shade Are You Blog Hop. My brain instantly started racing with ideas of what quilt I should make.
Without further ado…here’s a look at my quilt Arglye Gone Wild.
It took me awhile to decide on a color palette. I toyed around with going outside my normal faves but I just couldn’t do it. After all, this hop is all about what shade I am. And anyone who knows me knows I’m all about the aqua. I think almost everything I make has some form of aqua in it unless I force myself not to use it.
I finally landed on using neon green as the background paired with various shades of pink and aqua. Because every quilt that has aqua really needs a little hot pink!
Here’s a list of the colors I used:
Neon (background) 348
Hot pink 217
Lip gloss 419
Pink sapphire 218
Sunset Ruby 357
Jam Jar 400
Turks and Caicos 292
Toy boat 366
Proud as a peacock 289
Bora Bora 328
Seriously, could it get any better? I don’t think so. The next huge obstacle was what pattern I’d use. This was a big decision because I really like doing my own designs but I wanted to make sure I did something really cool. I started browsing my EQ7 files to see what I had and found the perfect drawing. Here’s a look at the original EQ file.
My friends, who know me well, know I don’t really enjoy piecing. I actually kind of hate it. I love quilting. So I wanted to make sure my pattern would showcase the solids and my quilting. My quilt varied a bit from the original design as far as color placement.
It all started with the piecing. What a chore! It’s always a great idea to make a quilt that has 1 bajllion pieces when you’re on a super tight deadline. There may have been a few choice words along the way. After several days of cutting and piecing I finally had a complete top. I finally got to the part I love. The quilting.
But I was a little stumped because I wanted it to be good. Really good. So the top sat for several days as I pretended the deadline wasn’t looming over my head like a black cloud. I finally loaded it and just started. Sometimes starting is the hardest part. Am I right?
I knew how I wanted to quilt the little aqua and pink squares that formed the chains. And I was pretty sure I needed to use rulers. Hey, why not? Rulers are not my thing. I’m slow, inefficient and usually frustrated by rulers. I generally look like a terrible contortionist as I try to navigate the ruler work. No pressure at all.
Here’s a ruler tip…I marked all my lines to make my ruler work easier. I know I’m not great at getting evenly spaced lines and marking them eliminated the guessing. This added a little time to the process but I feel it was worth it. I used a Dritz Mark B Gone water-soluble pen and removed the lines when the quilt was finished and off the frame. I lightly spritzed with water to erase the marks.
Needless to say the quilting started out slow and continued at a turtle’s pace, for three days. Three long days. After the first day I was certain it would only take 1.2 million hours to quilt it. In reality, it took about 15 hours. That’s practically the same.
This pic shows a close up of the tiny quilting. Those are size 13 stitches. Thank goodness I didn’t have to pick out any stitches. I may have just burned the quilt instead.
I was very deep in the “this is crap” phase of the creative process for most of those 15 hours. It’s very hard to love the quilt during the quilting process. You can’t see the quilt as a whole. You aren’t quite sure if the quilting design is being executed the way you visualized. It’s stressful and makes a person question her abilities.
Naturally I thought this would be a great time to also practice my stitch in the ditch abilities. This was probably not the best idea. I am not a fan of stitch in the ditch. I usually avoid it all costs. But, I forced myself to suck it up and do it. I managed to stay in the ditch most of the time. Ok, some of the time. Maybe I was practicing my “this is how my stitch in the ditch would look if I were drunk” technique. Sigh. It’s definitely not perfect but it’s not terrible.
I tried another new thing with this quilt. I decided to fuse the label on to the back before the quilting. I hate hand stitching the labels and I figured this would eliminate that step. It was sort of a bust and the label is pretty much a hot mess. The edges lifted and got folded over and quilted down. I’m not sure I’ll do this again unless I piece the label into the backing. However, that sounds equally as awful as hand stitching a label.
If you look closely you can see I ripped out a few stitches. Of course those stitches were on the label and they left super noticeable holes. Awesome. Maybe I’ll not be lazy and simply hand stitch my labels from now on. Maybe I’ll just use a pen and write directly on the quilt. You never know.
You might be wondering why the quilting looks so defined. I love to double batt my quilts. For this particular quilt I used a layer of Quilter’s Dream orient batting on the bottom with a layer of dream wool batting on top. The wool adds definition and loft to the quilting and really pops it.
Contrary to what most believe, using double batting doesn’t make the quilt as stiff as cardboard. It does add a little weight but I promise it’s still foldable. I normally use cotton batting as the bottom layer of batting but I wanted to experiment with a different combination. I’m hopeful that the dream orient won’t hold a crease when it’s folded. I won’t know for sure until I ship it and see what happens. I’ll let you know. That means you should probably hop over to my website and sign up for my newsletter so you don’t miss out on the verdict.
I used my favorite thread for the quilting, Superior Threads Omni on top with Bottom Line in the bobbin. I really love this thread combo. I use it 95% of the time and I get very sad when I can’t. I need Bob, from Superior Threads, to make Bottom Line in all the colors! I matched the thread to the fabrics, neon green, light aqua, dark aqua, hot pink, and light pink. Changing threads isn’t always fun but it’s worth it in the end.
I love the back as much as the front. The quilting really looks amazing if I do say so myself.
In the end, I love this quilt. I actually love it more each time I look at it. I’m so grateful for the opportunity to share my process with all of you. Rachael and RJR Fabrics have a fan for life. If you haven’t tried the cotton supreme solids, you should! They are amazing. The rich colors and soft hand make these solids my favorite. I can’t wait to start my next project.
I hope you enjoyed seeing my creation and learning a bit more about my process. Let’s stay in touch!
Hello! My name is Debbie Jeske, and I’m happy to be sharing my latest quilt with you! You can see more of my work on my blog, A Quilter’s Table, on Instagram (@aquilterstable), and on Facebook. I also publish a twice-monthly newsletter, The Scrap Basket, where I especially enjoy highlighting the work of others and sharing links to all sorts of current crafty goodness.
When I was asked by RJR Fabrics to participate in their What Shade are You? blog hop, you totally would have thought I would have said “green” or at least “green and blue!” But on the particular day I had to give a definitive answer, I was feeling very teal and gold and gray.
Now, I had seen many participants choose bundles that were large and colorful, yet when it came right down to it, I chose just six colors. RJR’s Demi, who first approached me about participating in the blog hop, really loved the improv pineapple blocks I’d included in my Seattle MQG SeaSLAB BOM, so all along I was planning to create something with pineapple blocks, and I didn’t want to lose the design in too much color, if that was even possible.
The Cotton Supreme Solids I finally chose were:
Argento 362 (Background)
Riviera 274, Turks & Calicos 292, Horizon 354 (Mains)
Goldilocks 368, Silver 125 (Contasts)
Wanting my quilt design to be relatively easy to recreate if one chose, I made three sizes of blocks – 20″ square, 10″ x 20″, and 10″ square. Thus they were easily arranged in an orderly way, while still giving the quilt a very improvisational look and feel.
If you’ve never made improv pineapple blocks, check out the MQG blog
. There you’ll find technique tutorials for whole pineapple blocks as well as the “half log cabin” version I used.
For quilting, I chose four Aurifil 50wt threads to quilt a design inspired by Jacquie Gering‘s “Fancy Straight Line” found in her WALK book. I used #2600 (light gray) and #5006 (light turquoise) for the straight vertical lines, then #2810 (turquoise) and #2975 (brass) for the intermittent zig zags.
I really love how this quilting design adds to the wonky shapes of the quilt itself without overwhelming it.
The finished quilt, measuring 60″ square, was bound in two shade of teal, using what I had left from my bundle.